Let's review some Julia

Dear readers, I've noticed that you have been heavily multiplying of late. Welcome.

Let me point you to some old posts you might like:

Here's one on what books mean to me.

If you missed it last month, here is what I think about being born in the summer.

I want you to love Moby Dick as much as I do.

Sometimes I put up pictures to accompany my Advocate Blog.

What do you think of that, corporate-brochure-Greg?

I encourage you not to think of this blog as a linear project. Poke around. Have fun. Comment. About half the posts are little essays, about half are nuts-and-bolts news (like this).

Stay tuned for more news and ideas as the summer rolls on.

The bus I didn't make

When I'm running late for work, I take the bus. Inevitably, as I am walking towards the stop, my bus zooms by at an un-catchable rate. Some days I'll run to try and catch it (this always elicits comments like "good hustle" or "whoa!"), some days it's just impossible, and I watch, morose, as the bus merrily picks up the people who had the good sense to leave their houses five minutes earlier than I did. Some days I get to the stop without a bus going by, but even then I can see the buses that I missed a few minutes earlier, because the road is long and flat and decorated with my big blue failures. The thing is, it doesn't matter how early or late I leave my house. All that matters is that there is always a better bus I could have taken. Laying eyes on the bus I didn't make is one of the worst parts of my day. I think about how un-punctual I am and all the better things I could have done with my morning. I think about my day ahead and how much better it would be if only I was on that freaking bus. I would be more put together! I would get more done! I would be happier! If I'm feeling particularly anxious I'll run over some memories of missing public transportation, of running for trains, or of being late. Lately I've been remembering being late for a horseback riding lesson when I was about ten years old, and how guilty I felt. That's the self-torture of the month.

Then, of course, five to ten minutes pass and another bus comes, and I get on it, and everything is fine.

The other night I was sitting around enjoying the internet and I came across the name of a writer who is a lot like me, in my dream-writing-world. Same genre. Similar style. Similar upbringing and similar age. Almost identical subject matter. She appears to be awesome in every way: smart, funny, well-liked. There's a whole article in a respectable magazine about how nice she is. Every time I read about her, I am overcome with professional jealousy. I don't feel angry with her or dislike her; I just feel horrible. This writer is on some bus I did not make. She is a couple of blocks ahead and I am staring wistfully at her taillights. Just as I do not rue the bus that went by half an hour ago, I don't feel this way towards any other writer-- it is the closeness of this girl to me that triggers this reaction.

I have recently solved the bus problem: I walk along a different route. On the new route, I can't see the buses going by. The block without buses is pleasant and quiet. I turn the corner just before the bus stop, and I am there, and a bus is either there or it isn't. I try not to look up the street to see the buses that just left. I read or listen to music or stare into space until the bus comes, and then I am on it, and everything is fine.

I will be looking for new routes, now, everywhere. I don't know if I am early or late or on time for my regularly scheduled life. I'm just going to wait for good buses to come, when I am ready, and then get on them.

Shooting a Pilot

The latest of my escapades: shooting a pilot with Rabbit Ears Media. It's called Royal Comics, and is written, produced, and directed by Helder Mira. Helder is a local figure of great repute. He's one of the many, many Hartfordites who's always working on some new project. (Brian Cook is also one of those people.) This is the category of people that keeps Hartford going: they're talented, but they also work ten times harder then those who simply rest on their talent.

Helder: Julia, will you shoot this pilot with me?

Me: I'm in. .... what's it about?

The pilot (which will hopefully evolve into webisodes, pending funding) is about comic book writers and illustrators. I'm a maybe-important-later character, so my scene this time was short and simple. It has been a long time since I've done anything scripted and it felt strange. The experience was a quick sprint through new skills.

I memorized some lines. I stood in front of cameras and did multiple takes. I learned a little something about being a comic book illustrator. I attempted to look cool. Most importantly, I was humbled by the act of trying something new and difficult.

I've seen many still shots and a few rough scenes of Royal Comics. The other actors are hilarious, and the shots are beautiful. All in all I am very glad I did it. See a rough cut of the teaser below.

[vimeo http://vimeo.com/26130722]

Summer gluttony

I am a glutton for summer.

Right now it's 6:52 AM on Sunday, July 3rd. There is no reason in the world that I should be awake right now, since I had yesterday off and I'll have tomorrow off, too. I am smack in the middle of a long vacation and here I am, watching Buffalo (our cat) watch the sunrise, making my way through a mug of coffee, reading and writing my way through the morning. There are few things I love more than the pleasure of saying, "man, I did so much on my days off."

Really, I am awake because yesterday I got too much sun and exercise and went to bed at nine thirty. Now I have a little sunburn and a little headache, and at 5:30 I decided just to get up and pack in another few excellent hours of July.

Yesterday Greg and took the Vespa down to Collinsville, Connecticut, a little town on the Farmington River. How many years we've been driving around on that thing I don't know, but I can't get enough-- the windiness of the ride, the restfulness of holding on to Greg's back, the houses that come one after the other for miles and miles. Taking back roads on a Vespa acclimates you to the interconnectedness of towns; some are little and go by in a green flash, others are bordered by strip malls. Highways are basically teleportation devices where you're just deposited in your town of choice, but on a Vespa you really have to get there. Connecticut is dense and varied, and there are a lot of different ways to arrive in any place.

We went out on the river with our friends Dan and Marta and their puppy Wallace. Their little family was in a canoe, Greg and I were each in a kayak-- all the better to race with. The river was looking wide and cold and deep and I could not have been happier. We paddled around, working on our rowing form (both Greg and I adore boats; he rowed crew for years, while I spent many summers in my grandfather's canoe looking for turtles), cooing at poor Wallace. We drifted between ducks and geese, and avoided fishermen. We went swimming in the cold July river-water. We paddled up to a bridge and turned around under it, just for the principle of making it that far. Greg lost a flip-flop, helpfully designating this particular river trip as "the time Greg lost a flip-flop."

Lately I have noticed that I cannot get enough of this kind of thing. I am a glutton for summer. I will eat a hot dog for the sake of summer in the way that people who love Christmas will fanatically bake sugar cookies. If I don't go swimming in a lake, a river, a pool, and the ocean-- each at least twice, and five times for the ocean-- I consider the summer an abject failure. I also need to read an equally gluttonous number of six-dollar novels, respectable classics, and nonfiction on horrifying topics. Some summer reads of yore: Anna Karenina, Helter Skelter, Columbine (those last two back-to-back... not recommended),  The Dud Avocado, I Capture the Castle, and a truly astounding number of Agatha Christie mysteries. Should I be ashamed? I am not. We have a cultural agreement that anything is allowed to be read on the beach, even if we scoff at those books later. Every summer I remember the pleasure of unsweetened iced tea and of thunderstorms. Every summer I remember the pleasure of getting tired from too much sun. Every summer I remember that everyone looks both stupid and awesome in cutoffs.

After losing to Greg in one final kayak race, after a new pair of flip flops, after sandwiches and lemonades, after wearing the puppy out, after a visit to a bookstore (and three new books), after backyard beers, after a long Vespa ride home, after a dinner of frozen pizza, after watching Cars-- I realized I was a little sunburned. I wandered up to bed with a magazine and a glass of water and I read until I fell asleep. At nine thirty. I said goodnight, summer, I'll see you early tomorrow. And here I am. Hello, summer. I hope you last a long time.

By Now

Today is my 28th birthday. It's June 28th, so it's my golden/champagne/round birthday; I also happen to know that I was born on a Tuesday, so it's rounder still. My birthday falls almost exactly six months from New Year's; and so I am in the habit of reflecting and evaluating myself every six months. All birthdays have a rhythm, I think, a meaning instilled upon them by time of year. We all know what it means to be born on or around Christmas. Greg has one of those birthdays in the mid-April zone, which I'm pretty sure is the month in which 90% of Gen X was born, according to my social calendar.

But summer has its own laws, too-- of warmth and relief, of school letting out and vacation coming up, of bare feet and swimming, of hope for good weather, of learning to share your day of cupcakes with all the other kids who have summer birthdays, of the fact that most of my yearbooks are signed "I can't wait for next year! PS Happy Birthday!". A friend recently said to me, when I apologized for having to miss her picnic, "I've had a summer birthday all my life," and it rung true for me then, too-- of the weird smorgasboard of friends you get when half of them are already away for the fourth of July. But there is delight in that, too; I have always been inclined to invite large swaths of people to hang out since I know there's only a 50/50 chance of getting anyone, and sometimes acquaintances have become close friends at those parties.

Being born in the summer means that my mother probably had the windows open in Hoboken, and that my grandparents visited right away. Maybe lots of people visited as part of their vacations. Or maybe it was a slow summer in Hoboken, too warm to move, a great excuse for my Mom and Dad to hang out with their first baby in their fixer-upper Hoboken house.

I don't remember that. But I do remember turning three or four, and receiving a tiny gold brontosaurus pendant with an emerald eye from my father. There is video of me sitting in my turtle-shaped sandbox in my wild backyard, my penchant for ancient, gentle animals both at my feet and around my neck. I am almost certain my friend James was there, playing on my new swing set, neither of us knowing that when we were seventeen I would watch him out of that window while he mowed our lawn, or that when we were twenty I would still be alive and he would not, and that I would regret not going out to say hello that warm summer.

And I remember being five or six and holding a stuffed cat, a gift from my best friend, and loving that cat with dedication (despite its sour expression) because Johanna had given it to me, and I loved her with a fierceness that I don't think has been echoed in any part of my life since.

And I remember being eight and the backyard party just dying down, only one friend left, the sweet and very Mormon Kirsa Stay. We were likely the two quietest girls Washington School had ever seen, and probably because of that, three triplet fawns walked out of the woods towards us and into our yard towards our crabapple tree. They were so magical and momentous to my silent newly-eight-year-old self that I feel compelled even at this moment to convince you that this really happened. I see now that those fawns were a reward for my silence and my solitude, two qualities that would not last many years longer.

There are many birthdays I remember: I remember inviting a group of girls to my twelfth birthday and their choosing of that moment to tell me they hadn't liked me all along. I remember five straight years of holding yearbook-signing parties in my backyard, just to force something holy and commemorative onto the kind of party I was outgrowing. I remember ice cream late at night with Katie, one of the hundred million nights we spent trying to remain children. I remember my birthday falling in the first week of a New York City publishing internship, and not telling anyone at my new office, and feeling very grown-up to keep something like a birthday to myself. I remember turning twenty-one and talking quietly on the phone to Greg, my new boyfriend. At twenty-two I believe I was out in Saratoga Springs, warm and delighted at Desperate Annie's.

At twenty-three I woke up on a boat somewhere between Korea and China, having just left the home of my friend Abby's biological mother, whose name she had not known a week earlier. Abby and Jessica and I disembarked in a shitty coastal town in China and celebrated my birthday at the first restaurant we could find, which was a Pizza Hut. We sat and spoke of family and of travel and of wanting to go home.

At twenty-four I looked over Central Park from above and walked through the Natural History Museum with five of my favorite girlfriends-- librarians and teachers all, women who love learning and appreciate things like brontosauruses with emerald eyes. Women who I still speak to every day.

At twenty-five I stayed in the Bronx, and Annie delivered a pie, and we probably danced in the garden. I can't remember exactly because that entire summer felt like one long uninterrupted birthday, one long hello to a happy self, one long goodbye to a worryless childhood.

At twenty-six my new Hartford friends and their corgis and their business degrees met me in a park of just-now-dying roses. Kira, my college roommate, came to visit, too, and I rode home on the back of the Vespa, my arms around Greg. Last year I had new food with my coworkers and told them stories of my past reckless self, before they knew me in the cubicle, when I used to do things like rode ponies in Mongolia.

All of these things are what it means to have a birthday at the beginning of summer.

But, as I mentioned before, there's another element: I was born on a Tuesday. When I was living in Ghana, I learned that everyone knows the day of the week of their birth, and is named for it. I am Tuesday. I am Abena. I am Tuesday's child, full of grace, apparently. More like: full of good intentions.

Even before I knew the association with my birthday, I have always loved Tuesdays: they are peaceful and productive. The weekend is not far off, if you look at it right. They do not have the disappointment of a Sunday night or the panic of a Friday morning. There are so many things you believe you can accomplish when it's Tuesday. I am a Tuesday girl.

The Tuesday girl in me sees every birthday as a time to plan, to set goals. It is also a time, if I'm being honest, to punish myself for everything I wanted to have done by now. You know what I mean. To be thinner, or have saved more money, or to have done better things for this world. Those are mine. Others have others: to be married, to be someone's boss, to have traveled. Birthdays are when we keenly feel our goals, and the disappointment in ourselves for not having met them. We say: by now, by now.

But looking back on my birthdays there is only one thing that has ever mattered on those days: friendship. And with friendship comes unimaginable surprise.

Without a quiet friend, by now I would not have seen the fawns. Without a brave friend, by now I would not have taken a boat to Korea. Without a lonely friend, by now I would not have pie on my doorstep. Without friends I would never have danced in a backyard by now, acted in a play by now, began an improv business by now, published a word of writing by now.

And friendship is contained within other things. Greg's friendship takes me out on a Vespa. My best friends now are my business partners and coworkers; many of my teachers have spoken to me with love and respect. Very real friendships with very fictional characters shaped my mind. My father's friendship with his daughter picked out a dinosaur necklace.

Right now on my facebook wall there are salutations from a teacher, an old student, elementary school friends, college friends, Ghana friends, China friends, writer friends, ex-coworkers, Hartford friends, New York friends, my mother, my previously long-long cousins, my boss, friends who once did not like me and now do. Friends who taught me how to grow up and how to grow older.

Without you all, I do not know who I would be by now. I would not be this person.  I would not know how to live nor how to love. I am not perfect and I will never be. But I am so glad, and so grateful, that by now, I know how many different kinds of people in this world can be wonderful.

To celebrate my sister Emily's birthday two weeks ago, she and my brother taught Greg and I how to rock climb. She climbed the walls with the grace of a once-reckless and now-brave and intelligent girl. And then, when I climbed, overjoyed and awkward and afraid, the rope and clips attaching us like an umbilical cord,  I looked down and she was grinning. I reached the top. She said, coming down is the best part. I pushed off. She held me by the small and simple rope, and found myself flying down from that new wall, held up by her.

Thank you all, always, for your friendship and the many new climbing walls. You have made every birthday good.

Love,

Julia

Empty, Full

The other day I had my final class show for the Upright Citizens Brigade, Level 401. I've performed for my UCB classes several times now-- for 201, 301, the Lottery, a 401 mid-class show, and this final one. I came nervous, I left happy, just as before. On our bus ride in (incidentally, if I never take the Megabus again, I will be a happy lady), I was flipping around between the three books I'm reading on the Holocaust, urban planning, and Indian independence. I was also listening to Justin Timberlake, Adele, and podcasts about science. I was worrying about my column about walking, my new essay about diaries, and an old essay about China. I was also considering my upcoming birthday and reflecting on rock climbing with my siblings last week. My brother was texting me. Once in a while I played Angry Birds. And Greg, next to me, kept mentioning the breakfast we'd just had and a silly show we'd seen the night before.

The whole time I was thinking use this. Use this. Use every part of this buffalo that is your life.

Sitting on that bus, I was reminding myself that all the best improvisation comes from a strong sense of self and a wide set of passions. I've seen this in my Sea Tea teammates before: get Joe talking about science, or Steph about Ren Fairs (faires?), or Dan about pretty much any trivia, and their improv is doubly good. I am a person with a ton of interests and many unique experiences, and I am happiest on stage when I am bringing those things with me.

To do a good scene you must come out both totally empty and totally full. You must bring the sum total of your observations and ideas out there with you, and you must immediately abandon them. You are a blank page of a book with many previously full pages, which you may refer to or ignore.

I am Julia, and everything that I have done or thought, but I am also none of those things. Each moment is a new moment. Each scene, a new scene in a long story.

-- Julia

P.S. My show went well.

Notebook, Diary, Journal

I’m currently working on a critical essay on the development of a writerly voice through keeping a journal. (The seed of this essay was a previous post on this blog—thank you, daily writing habits.)  I’ve been doing lots of reading on the topic, and I have a few recommendation if the subject interests you. I have read Joan Didion’s “On Keeping a Notebook” from Slouching Towards Bethlehem more times than I can remember. It has a bookmark in it from a job I had in 2007, and has clearly been read many times over. Didion’s notebooks are lists of details and overheard quotations that bring her back to the feel of a certain time of her life.

“So the point of my keeping a notebook has never been, nor is it now, to have an accurate factual record of what I have been doing or thinking. That would be a different impulse entirely, an instinct for reality which I sometimes envy but do not possess.”

I also just started reading Francine Prose’s Anne Frank: The Book, the Life, the Afterlife. In the opening pages, Prose tackles the labyrinthine debate on whether Frank’s book is “true” art of a “real” writer, or if we love it only because of its historic content. Prose examines Anne’s desire to be published and her own aggressive editing of her diary.

“On April 14, she had serious misgivings about her abilities. Even so, she was imagining the Dutch ministers as her potential audience, and her critics.”

I’m also revisiting my favorite journal of all time—The Journal of Jules Renard, an aphoristic record of individual moments in one French writer’s life. In the introduction, Louise Bogan says “Truth about life, in Renard’s view, has been distorted by literature.” The voice of these diary entries is so beautiful and literary that the context of the observations doesn’t matter—Renard sees the world in tiny, literary moments. I love this book so much that I keep giving it away and buying new copies, because I want other people to have it, but I also can’t stand to live without it.

“Be modest! It is the kind of pride least likely to offend.”

“Failure is not our only punishment for laziness: there is also the success of others.”

“Put a little moon into what you write.”

Do you all have any favorite journals, diaries, or notebooks I should know about? Any critical works on diaries that I should know about? I am a sponge for these right now.

-- Julia

Works in Progress

The other night in New York, between a work conference and an improv show, I went to see Wener Herzog's new movie about cave paintings in France. As a work of art, the movie is good, but entirely eclipsed by the art within the caves. I highly recommend seeing this movie in theaters in 3-d because you can see the way the paintings are arranged to imply movement over the curves of the cave walls.

I've been thinking about works-in-progress lately. Writing for the internet (this blog and for the Hartford Advocate, as well as all the places I've been guest blogging) is entirely different than the longer essays I used to polish for months and sometimes years. This new writing has instant permanence. Instead of each chunk being a perfect, finished thing, the entire webpage itself is a work-in-progress. Not only that, but my writerly voice and my writing career are works-in-progress too. That's a lot of progress, and a hell of a lot of work.

Sometimes I wish I could just create one perfect thing and have some metaphorical rocks fall over the mouth of the cave, and let the art steep and crystallize and be stumbled upon by French hikers someday. Alas, I think I will always be more of a Gaudi.

What are your works-in-progress? Will you ever feel finished?

Training

Not too long after dawn on this Tuesday morning, I stood on a platform waiting for my train. It came around the corner like a big, serious animal, turning around the building with a grace surprising for something so massive and mechanical. Maybe I have been reading too much about whales lately, but it seemed to move like one of the mid-sized leviathans, its course inevitable, its thrust through space silent except for a hum on the tracks. I am headed into New York today for a “social media summit.” Were I not on this journey, I would spend much of my day on social media, writing a few blog posts, posting things on the Twain House twitter feed, taking breaks by watching things on youtube, and filtering many of my conversations through the convenience of facebook. It is a bright and chipper way to work and, frankly, I like it. Social media comes along with all kinds of strange new social cues and habits, and not all of them good. But the bottom line is that social media makes my job (both as a marketer for the Twain House and as a writer) easier, more effective, and more fun, so I am going down to New York to learn how to do it better. I’m signed up for all of the “201” classes. It will be a day of branding and strategizing.

And yet, I know already that this train, carrying me over Stamford now, this old and quiet technology, will be the best part of my day. It is morning and the sun is coming in only on my seat. The passengers seem to have agreed on a certain low speaking pitch. This all seems easy and simple and old-fashioned. Even when we pass a train that is out of commission, slayed with beautiful graffiti, the scene seems ancient. I have traveled often by train and they always make me feel this way.

But this, too, was once a new technology; this kind of journey, too, once changed everything. The train was a harbinger of a new life on standard time, on schedules. It came for us, turning quiet and inevitable through the cities we had made, pulling up to our eager, upturned faces, inviting us to ride, inviting us to be carried into a new era.

Fragments

I have a box (a whole box!) of journals and notebooks that I have only half-finished, and as I was investigating them today I found a small notebook that I am sure I have not opened since its last entry six years ago. It is a notebook of phrases, lists, budgets, quotes, and fragments from my year in China. It looks as though I realized that I was having so many new experiences that I would be completely unable to analyze them, so I just wrote down anything notable in hopes of jogging my writing and my memory later. I'm not sure. There is no explanation. In fact, there's no explanation of anything. I didn't even write in the pages in order. It is the best journal I have ever kept, I think. Below is a selection of the hundreds of undated, unexplained, unquantified writings in this notebook. Every single one jogs a memory I've missed, but the memories don't actually matter. These details were the things that mattered.

I wish I had kept a journal like this every day of my life. I plan to re-start tonight.

Tom: "Chinese are always having meetings like this. No meaning."

Badger = happiness.

Thought they were reclusive, but turned out to be German.

Night party in the dam lock. Sunflower seeds, rice cakes, jerky, coffee. Bets on whether we'd go up or down in the dam, we went down (very rapidly).

Back on big boat: my toothbrush fell into our gamgee squatter toilet.

Night bus-- pink blankets. I can see the stars.

Abby getting massage. Me singing to her.

Failed moped adventure.

Almost cried at Brokeback Mountain commercial. Very tired.

Met Dam. Elephant trek. Monkey diving. Danish family.

Could you tell me some stories about cowboy?

Plane snacks-- dried peas and Nescafe.

Salad = mayo on fruit.

Confidence! Confidence! I feel! Every time! I am confidence! Victory! Victory! For everybody. (Jian and his daughter.)

Clever Girl

Yes, Jurassic Park fans, you’re right. This title is a reference to the scene where the Australian guy is looking at a raptor, hears rustling in the bushes, says “clever girl” and then gets eaten by two velociraptors that were hiding on either side of him that whole time. And guess what? I’m going to make a metaphor out of it. Stay with me.

Lately, I’ve been interviewing my fellow improvisers for a series of podcasts about Sea Tea Improv. I’m having a great time doing it (largely because the format of the podcast is peppering my friends with questions, which, if you've ever been a friend of mine, you’ll know is my favorite activity), but over and over again I’ve noticed a certain phrase cropping up. It’s also a phrase so cliché among famous funny people that you’d be surprised if they didn’t say it:

“I’ve always enjoyed making people laugh.”

As a professional funny person, this statement is terrifying, becasue for me, it’s just plain not true. No one who knew me in childhood would describe me as funny. Studious, maybe. Cripplingly shy, for certain. As a current extrovert—I spend so much of my time dribbling my thoughts and opinions onto the internet and into other people’s ears—I look back on myself and wonder, how did that person become this person?

I am expected, formally and informally, to be clever for much of my day. I write snappy freelance copy; I am a professional comedic improviser; I engage in witty banter with both my boss and my boyfriend. And yet I am pretty certain I'm not funny, and the thought of being a “funny person” makes me want to hide.

And yet I continue to live a life engaging with wit. How is all this funny time achieved? Mulling it over, I have two conclusions. One: during both the introverted and extroverted periods of my life, I’ve been an observer. I’m watching. I’m thinking. I’m evaluating. For me, curiosity, especially about other people, is a kind of thirst that will absolutely never be satiated. This thirst can be unhealthy, but in comedic situations, it’s a terrific impulse. How much comedy do we laugh at because the observation is simply marvelous, too true? And how many times have I lost control of where I am in an improv scene and made an observation to get back on track? (Hundreds.)

Second is storytelling. In the “Meet Laura” podcast, we discuss how we make sense of many uncomfortable situations by beginning the storytelling process right there in the moment. We look for relevant details; we plan how we’ll describe it later. Seeing individual moments and incidents as stories is my strategy for living—it has gotten me through horrible situations and wonderful ones. I could tell you stories, oh, could I ever tell you stories, of terrible things-- but you would laugh, because I had vowed to make them into funny stories before they were even finished happening.

Back to the dinosaurs: the Austrailan is the audience. There he is, looking at the first raptor, the one right in front of him. That raptor is the funny. “Clever girl,” he says, but the two that really tear him up are observation and narrative, right beside him all along.

Far Sighted

A few weeks ago, my eyes hurt every time I looked at anything within three feet of my face. They ached and burned and generally felt awful. I had to put in eyedrops every fifteen minutes just to function at work, and even then I had to figure out things to do away from my desk so that I could look at things from a further distance. I wanted to take time off from work to rest my eyes but it occurred to me that almost all of my leisure activities involve doing things close-up. My idea of a good time looks something like this: - Run intervals on the treadmill (while watching TV)

- Read for fun & work

- Write in journal

- Blog

- Edit essays

- Update music on my ipod

- Organize online photos

- Do a puzzle or crossword

- Talk to people at close range

.... and on and on. And this particular week, the weather was still bad, so there wasn't really the option of taking these activities outside.

Now, it will probably surprise no one, but around this same time I developed a constant, tickling level of anxiety. Partially fueled by the frustration of eye strain, I was worried about my ability to finish what I had started and to live up to the very high expectations I have for my life. I really shouldn't even put that in the past tense-- I am worried about those things.

I have been badly near sighted since I was ten years old. My first memoir was a six-page work about the truly dramatic and tragic topic of getting glasses. Chapter 1 was entitled "My Eyes Hurt" and I believe the opening was "Mom, my eyes hurt." I recall the excitement of those words printing out on a junky dot-matrix printer on the top floor of my elementary school, and I remember tearing off the strips of hole-punched ladders from each side. As always, I made a little accordion out of those useless paper ribbons, and played an imaginary tune to kick off my literary career, and got back to the computer.

Since then, glasses and the rabid pursuit of short-term goals have been two lenses through which I see my life. I have no idea what I want to be doing in ten years, but I do know that within twenty minutes I hope to be done with this blog post. I want to finish reading a book this weekend and send back my Netflix movie tonight. I want to finish up some essays and send them out by Friday. I want to do a good job at work today.

I used to be dreamier. I used to swim in the ocean and look out and try to figure out how far away that boat was. I used to look at a lot of horizons. I used to love large things, things that were hard to see all at once, like planetariums and arboretums and used bookstores.  I used to count up (this is the fifth time I've jumped a horse) instead of down (twenty push-ups to go).

To deal with the eye strain, there were two things I had to do. First: I had to look at things farther away, like the things outside of windows, or people across the room, or the idea that if I did not finish these things today it would be better for my eyes later.

Second: I took my glasses off. I cannot see more than eight inches in front of my face without my surroundings looking unclear. I had to remind myself that without the glasses, I'm not blind-- things are just a lot fuzzier. They are still there, and I still trust the world. I sat in silence and unclarity, and occasionally closed my unsleepy eyes, unleashing my unfixable gaze on the backs of my eyelids, remembering how I used to imagine them as outer space.

If You Don't Ask

This week I am gathering together my final report on my 2010 Solo Writers Fellowship (thank you, Greater Hartford Arts Council).  I've also recently submitted an application for more funds for my writing, so I've had to both reflect on my past couple of years as a writer and plan for the next five. I do, however, have one nagging thought: there are many people who want to be professional writers, and most of them don't go through the rigmarole of applying for fellowships and grants and residencies. Who am I to take this money? I argue why I want it, why I need it, but I continue to feel guilty even for asking for it. It feels too audacious, too immodest to say, "Hey, give me money, Hartford! I'm awesome. Hand it over."

I have had an incredibly lucky and privileged life so far, graced with opportunities knocking and doors I've busted down without waiting for knocking at all. It all comes down to basically two things that have stuck in my head since I was about eighteen years old.

The first is a story from college-- second semester freshman year, I signed up for a bunch of courses and for some reason started switching them all around during the first week of school. (Typical Julia.) I dropped out of a Child Development course and, a day later, returned to the professor's office to beg my way back in. Full of regret and very flustered, I made my case. He did not let me back in.  He wasn't angry; he'd already filled the spot I left vacant. I thanked him and spiraled into apologies and he said, "Don't apologize. If you don't ask, you don't get."

That phrase has stuck in my head for almost a decade. I use it to combat the shyness with which I am naturally beset (it's true, ask my mother). Asking, ultimately, demonstrates knowledge (that you know who to ask and the appropriate things to ask for), confidence, and proactivity-- probably the three qualities of self that I am constantly trying to improve.

But here's the important thing: asking for something does not and should not imply that you are entitled to it just because you asked. I try to ask humbly and accept rejection when it comes. That's hard, but I think not getting what I asked for has taught me more in the long run than getting it. But if I don't ask at all, I learn nothing. I never would have anticipated that "if you don't ask you don't get" would be my big takeaway from child development, without even taking the class.

Philosophy #2 is much simpler-- I aim to never assume I won't like anything before I try it. That has gone for food, boyfriends, jobs, friends, improv games, places I've lived, all kinds of media, really anything. I want written on my grave "Game for anything."

The results of these two modes of thought are that I am surrounded by things I love: things I have asked for and things that have asked for my open mind. My life is sometimes overwhelming because there are so many amazing people and adventures in it and I don't want to waste a second. It is the best kind of anxiety to have.

So, to have the writing life I want, I must do both: I have to ask for what I need and be prepared when I hear no. And I have to try whatever opportunities come along.  There is an opportunity for support, and I'm asking for it.

I said hey! What's going on?

Dear readers, I hope you've been enjoying my periodic whimsical rants about whales, radio, books, and the like. I think it's about time for a real update on what's going on, don't you?

1) Sea Tea Improv continues to grow at a breakneck pace. We just did a great show at ESPN's campus, our 2nd birthday is today, we're on the lookout for new places both to perform and to teach. All very good! If you're at all interested in improv, comedy, theater, Hartford, or small businesses, I encourage you to keep up with us. I never thought I'd be a part of something so grassroots and satisfying. Oh, and I completed the 3rd level (of 4) of education at the Upright Citizens Brigade. So much fun.

1a) I've started recording a Sea Tea podcast. 5 episodes recorded but not posted yet-- stay tuned for that. I'm trying to learn how to edit audio and interview people well and then when I have a decent product ready I'll post a few to get started.

2) The Mark Twain House & Museum is, as always, a daily dose of random. I'm coordinating a Tom Sawyer Pirate Day, a Victorian Tea Party, events related to a Steampunk Exhibit, an Oktoberfest, a traveling Mark Twain Game Show, the silliest twitter feed, a booth at the CT Book festival... I could go on forever.  Someday I will write about this.

2a) I'm also about to start another radio project relating to the history of the Twain House as a historic property. It will involve inspirational women. I'm thrilled to pieces, especially to be working with Catie Talarski, quite an inspirational lady herself.

3) I picked up another little job teaching a combination of theater and Twain History to a gaggle of kids at the Hartford Children's Theatre. Kids! It's been a while. Can't wait.

3a) Speaking of theater, I'm in a top secret puppetteering production for Real Art Ways' Odd Ball (out of towners: that's an indie cinema & art house in Hartford).

4) I'm still writing and submitting things here and there, but it's slow going because of all my other commitments and projects. The Writers Fellowship I won last year is almost up and I've used much of the time to research an essay on Ghanaian Fantasy caskets, brainstorm a new piece about technology and my relatives, and write short pieces intended for radio. The writer's life is a slog sometimes and I wish I could create more time out of thin air.

4a) I was in Washington for the AWP conference and won a little short fiction contest via the Coachella Review. That was fun! For more writing news poke around this whole site.

5) I'm trying to shave an hour off my half marathon time. Ha ha ha. Really.

5a) I'm also trying to get back down to fighting weight so I can go on some  scuba and rock-climbing weekends with my wonderful and athletic siblings.

6) I'm about to launch a reading series at La Paloma Sabanera (a local coffeehouse) because, frankly, there should be one, and if I've learned one thing about Hartford it's that you should just do it yourself and stop complaining. Right? I'm VERY excited about this project.

6a) My reading life has been spotty lately. I need someone to recommend a great book I will tear through in a week or less.

7) Finally, this blog is going to get a revamp. I've played around, I've posted here and there-- it's time to knock this sucker up to twice a week and get some actual subscribers. Therefore: please subscribe, tell me what you like and don't like, and come along for the rest of my year of new projects.

Listening

Since it is finally springtime, yesterday morning I decided to be traditional and listen to music with the windows rolled down on my way to work. Of course, the one day I don't listen to our local NPR station is the day that the House votes to cut off its funding. My last few posts have been related to some very simple things I love that are under threat of going away. They are ordinary loves-- books and cameras aren't exactly some secrets I've been keeping to myself-- and they certainly won't disappear during my lifetime. I'm not worried. What I am worried about is that thoughtful and beautiful things for the public will become the interests of the eccentric.

It should never be weird to love NPR. NPR, particularly on the weekdays, has been for me-- and this is not hyperbole-- like being able to tune into a college course at any moment of the day. It is thoughtful, well-rounded, and challenging. It has high expectations of its listeners without being snobby. It reassures me that yes, it is good to be interested in a huge variety of things in this world-- politics and humor and narrative and sheer facts.  When the rest of the world feels too compartmentalized, too stylized, NPR is there, giving us both breadth and depth. That is not an easy thing to do.

Maybe I'm this passionate about NPR because, for the past five years, I've lived in listening range of two incredible affiliates. During my WNYC days I had an unsurmountable crush on both Brian Lehrer and Leonard Lopate (I will never apologize for either). These days I have a personal relationship with Hartford's WNPR, which broadcasts down the street from my office. I just appeared on WNPR for the fifth time and, as they all know, I am madly in love with their programming and their staff.

WNPR has given me-- again, not hyperbole-- a sense of community that nothing else in Connecticut has. This small group of people is dedicated to untangling the local, regional and national issues that Connecticut needs to address. I'm always on to talk about something relatively silly, like anagrams or comedy, but they select their shows thoughtfully, research them thoroughly, and treat their guests with respect. It all comes through in the programming. I have just as much fun listening as talking, and have been known to take a scenic route just to hear five more minutes of a show.

Most of the news and stories I hear on NPR I never discuss with anyone-- it is enough to hear it, to think about it, and to let it become a part of my knowledge and understanding of the world.

WNPR's strength is bringing together voices from our community and giving them the opportunity to interact with the larger national and global network. I am honored to be one of those voices, but I am more honored to listen in on the conversation.

Books I Have Not Read

Right now I am home for the first weekend in a very long time, so I am cleaning up and clearing out. It seems I do this all the time and yet there is no change in the amount of objects floating around my apartment, overused or underused.   We've all experienced this (see: George Carlin) but I have a particular problem that I think some of my comrades might understand. I have,  in my studio apartment, at least a few hundred books that I have not read. I bought or borrowed them all in moments of good intention.  These are books that I want to read; books that should be read. They look good.  Here is a random sample of books I have here but have not read.

  • Biographies of Ghengis Khan (two, actually), Edith Wharton, Edgar Allan Poe, and Chick Austin
  • The last couple books of Susan Cooper's The Dark is Rising series
  • The collected stories of Amy Hempel, John Cheever, Leonard Michaels, Isaac Babel, Anton Chekhov, and H.P. Lovecraft
  • Bleak House, Oliver Twist, Tristam Shandy, Don Quixote, The Aeneid, The Sun Also Rises
  • The Wind-Up Bird Chronicle, Krik? Krack!, Song of Solomon, The Savage Detectives
  • Historical accounts of the Dust Bowl, the colonization of Africa, generations of Chinese women, pop music, Lewis and Clark, US Prisons, and Wilderness and the American Mind
  • You don't even want to know about the poetry.
  • And you REALLY don't want to know how many works by and about Mark Twain I bought in the throes of new-nerd-job ecstasy and haven't felt like hunkering down and reading after 40 hours of talking about Sam per week.
  • Workbooks to learn Spanish, Chinese, and how to use my Nikon D50.
  • The magazines!  Oh, the magazines.  Damn you, Granta; damn you, American Scholar; damn you, Georgia Review.  I love and hate you for coming without warning.

I am pathetic.  I essentially have an entire library in here and I continue to acquire more books. There's a heavy emphasis of late nineteenth century (European and American) and essays  (almost all of which I've read, thank goodness) but otherwise: I have a lot to learn that I have already committed myself to studying. This apartment is a record of everything I want to know but have no time to study. If someone would only donate food to me for a year, I think I could conceivably quit my jobs, read about a book a day, and catch up with my intentions.  Any takers?

Anyway, just as soon as I finish Inkheart, The Little Friend, I Know This Much is True, The Quiet American, One Ring Circus, and the style issue of the New Yorker, I guess I'll start with Genghis and work forwards in time.

How do you people with more than one room even keep a head on your shoulders?

- Julia

P.S. The movies from China and the Netflix queue will be year two.  Couch buddies welcome.

List Anxiety

I am alone at a Bed & Breakfast in Westbrook, Connecticut.  I am supposed to be writing. In fact, I have cranked out some draft material of a new essay, but I have a confession to make: just the simple fact of writing it is kind of cheating on myself.  If published, the essay/article will help me with another one of my jobs. I'm not sure if this is a conflict of interest or just plain multitasking. It's been a long time since I've been alone and unscheduled for more than 24 hours. Lately, even my free time has taken on a rather rigorous quality, and I've turned into the sort of person who says to her other half first thing in the morning: "so what's the plan for the day?" instead of just letting it happen. Well, this is a day I just have to let happen. I'm not getting lonely (I think I could spend a month alone without feeling true desperation to hang out with another person) but I am freaking out about being productive and proving it.

When Greg drove away after dropping me off I promised pages: either twenty good ones or thirty passable ones. For a single weekend, that's a lot, but I'm a very fast writer and my every waking moment is supposed to be words on paper. Like I said, I've got some down, but the panic is starting to take over.

Fortunately/unfortunately, I brought along my September to-do list which has fifty-two items that I've ordered myself to complete by October 1st. I confess here and now that I have spent some of my day gloriously completing tasks and crossing them off with an almost carnal pleasure. One of the tasks is "maintain blog," and that's what I'm doing writing here now. Others I have crossed off today include writing a press release, scheduling my essay submissions for the month, planning my other writing retreats, and beginning the aforementioned piece of writing.

Listing has become almost an obsessive tic for me, a way to measure my achievements in incremental, quantifiable form. I like to make lists for whole months and carry around those lists until they look like they've been through the battle that is my attempt to juggle all of my obligations. But, overcome by the pleasure of the list, I opened up a document from June 2009 that listed my big goals for June 2009- 201o.  It is depressing:

"By my 27th birthday I would like to have:

  1. Eliminated credit card debt entirely; gotten ahead in grad school payments; saved $2,000 for permanent savings; have $1,000 buffer zone in checking account.
  2. Maintained goal weight & toned up.
  3. No longer worry about messiness at all.
  4. Published 5 pieces of writing & have 5 on the burner.
  5. A birthday party with friends to celebrate all of these goals."

I will tell you, dear readers, that I accomplished absolutely zero of those goals. I did pay off my credit card and get ahead in my grad school payments but I did not save anything. I am way less physically fit than I was in 2009. I am still messy (although someone improved). I published one little thing and everything else has been on the burner so long it's stuck to the pot. For my birthday I don't even remember what I did. The planner is unrevealing.

However, the list does not reflect the unexpected things I did since 2009 (when, after all, I hadn't begun at any of my current jobs): became a publicist and marketer, attended an academic conference, founded an improv group, won this fellowship, created this blog, etc.  And it certainly doesn't reflect the unlistable things that bring me actual joy: swimming and sitting around having beers with new friends and reading and rescuing kittens and trying new jobs.  I suppose anything listable is too predictable for me to love as much as unlistable things.

But I still will make the lists, and I will still finish them. And you will note that "maintain blog" has tricked me into writing quite a bit more, on this writing weekend, than I have in previous posts.  Good job, list.

- Julia

Roughing It

The last time I wrote (a lifetime ago by all accounts; by one specific seasonal account: since then I've been swimming in Walden Pond twice, swimming at midnight in Nyantic, swimming at the edge of a holly forest, and swimming in an unusually warm Cape Cod Atlantic), I was hoping to deliver a lecture on "Wit" at the Twain/Tolstoy symposium in Boston. Against my expectations, my proposal was accepted and I am delivering that lecture on Saturday morning.  I'm nervous.  This is a coming-out party for an academic life; this is a transition from student to scholar.  I'm particularly worried about my own fallibility: what if everything I say is wrong? What if my research is wonky and my conclusions overeager?  This room full of experts will be the test of my thinking and of my education.

Now I'm sitting at my desk rifling through the books I'd like to take along with me, and I just re-opened Roughing It, one of Twain's travel accounts.  He wrote it as a moneymaker in the early 1870s and I haven't had the time to read it all the way through yet.  However, the Prefatory is amazing:

"This book is merely a personal narrative, and not a pretentious history or a philosophical dissertation.  It is a record of  several years of variegated vagabondizing, and its object is rather to help the resting reader while away an idle hour rather than afflict him with metaphysics, or goad him with science.   Still, there is information in the volume. . . . Yes, take it all around, there is quite a good deal of information in the book.  I regret this very much; but really it could not be helped: information appears out of me naturally, like the precious ottar of roses out of the otter.  Sometimes it has seemed to me that I would give worlds if I could retain my facts; but it cannot be.  The more I caulk up the sources, and the tighter I get, the more I leak wisdom.  Therefore, I can claim indulgence at the hands of the reader, not justification."  -- The Author.

When I read this I remember that my concerns about truth, memory, accuracy, exaggeration, scholarship, and reputation have all been shared by the writer I am honoring.  Sam was our nation's Great Exaggerator; I will try not to exaggerate but if I do I will be in good company.

In improv we always talk about the audience: their needs, their expectations, their hopes, their sense of humor, not ours.  I will lecture as Twain would have lectured: for my audience.

Looks like I have some rewriting to do.