Powerless

This morning I am waiting for a hurricane. I've been checking the New York Times hurricane tracker and a few weather websites, and I should easily have a few hours before we lose power, if we lose it at all. Waiting here in the darkness of an early storm morning is like opening the blinds on memories long dormant. The hurricane is blowing them around, too. I have not lived through many natural disasters; in fact, I have lived through nothing I could call a "disaster" at all. I've never been in a car accident, never had surgery, never had major property to get damaged. Most times I have that disaster-feeling, I can quickly recast it as an adventure, like a time my sister and I missed a once-a-week-only train to Mongolia, or when I was caught on the back of a bolting horse without a helment, or another where a friend lost her passport days before going to meet her birth family in Korea, or when I was absolutely and completely convinced that my small Thai ferry was going to sink. Those were, of course, not true disasters, but there is no discounting that awful feeling when you realize what exactly has happened. In my case, usually with a crowd of Chinese men shaking their heads at you in disdain.

Our ability to get through a disaster lies in how deeply we are convinced that everything will be fine soon. I was ten years old when that horse bolted underneath me, and in my abject fear I knew that there was no way I was fucking falling off that thing. I knew how to ride, I knew that horse had bad, skittish news all over its face before I even got on it; I knew that any stable that would put a bunch of girl scouts on horseback, un-helmeted on a paved trail, was not to be trusted. I knew from falling off gentler horses in softer paddocks that falling off hurt, and would hurt ten times more now. But above all, I knew from hundeds and hundreds of horse books that horses don't have any nerve endings in their manes, so I dropped the reins, wove my tiny fingers into the coarse hair of that miserable animal, leaned forward as if to become an un-buckable growth on the horse's neck, and held on. My position indicated to the horse that I wanted to go as fast as possible, but I decided I would rather be going unbelievably fast on a horse I hated than stock-still crumpled on the ground. We flew through the forest, that horse and me, uncatchable. We were one huge, dangerous mass of terror. I rode into the stable a few miles later, sat up, untangled my fingers, and dismounted properly. It seemed very important to get off correctly, to maintain complete control, and not to cry. I went to my regular riding lessons a few days later. I had made myself know that it would be alright and so it was.

Sometimes, though, no matter how many horse books you've read, there is simply nothing you can do except retreat into your mind and wait. My friend Abby and I had decided to take a ferry from mainland Thailand to Ko Toa to swim and play around on mopeds. It was an overnight ferry, during which we were supposed to sleep on the floor with approximately 200 Thai people and 4 other backpackers, but as I lay there I remembered that we had actually known someone on a boat just like this whose boat had sank in the middle of the night. He had survived by swimming like hell, but others had drowned, including the friend he was with. When our boat began to rock hard, I stuffed my passport in my underwear, reviewed my swimming strokes in my head, and gripped Abby's hand. Nothing happened except in my imagination, but that was terrible enough for me to remember it always.

When Hurricane Bob hit, I was eight and spending the summer at my grandparents' home in Cape Cod. Their house had one side entirely lined with sliding glass doors and my family sat in the living room and watched the light pine trees come down. The trees were very tall and wispy and had no hope of making it through the storm unscathed. I loved watching them topple, and after the storm my parents let me play in this new wonderland. I promptly got stung by some wasps whose nest had been destroyed, and recused a chocolate lab who was wandering around far from his home on the other side of the lake. It was one of the most exciting summers of my life.

I loved digging cars out of the blizzard of '96, and I loved watching a lightning storm roll over the Hudson River when Greg and I were staying overnight in a lighthouse. Because weather has never brought me harm, I also love losing power. My parents were always very calm about it; we usually just sat in the living room and read books by candlelight.

But for one month of my life I had no power at all. I was living in Ghana. I had walked into the study abroad offices of Skidmore College and said, "I want to be challenged." They handed me a booklet of offerings from the School for International Training. A few months later, I was in Ghana, studying arts and culture. In practice that meant I wandered around markets, learned to say "I like orange Fanta" in Twi, danced every day, and lived in the homes of four different families. It was the greatest half-year of my life and there and I have far too many stories to put in this post.

Ghana loses power all the time, and for no apparent reason. This condition is referred to as "No lights," and Ghanaians are so accustomed to it that it is often barely noticeable. Having lunch and you'd like a cold soda? Sorry, no lights. Have it warm. Finally dragged yourself to an internet cafe to check your college email for the first time in a month? No lights: return tomorrow. Reading in bed? No lights! Switch to a flashlight.

For the final month of our program (I was with twenty-one other college students), we had to choose a final project and strike out on our own for a full four weeks. All we had to do was call our leader, Yemi, in Accra once a week to check in. One boy decided to shadow a garbage collector for the month. Another girl decided to apprentice a bead-maker who used recycled bottles. Yet another played in a drumming circle.

My friend Jessica and I decided to move to a remote village on the border of Togo and study dance and elementary education, respectively. Krache-Nkwanta had no electricity or running water. No lights. Ever. We could not wait to go.

When I say it was remote, here's what I mean: one van would pass through the town at an undetermined time. Once a week, Jess and I would sit by the side of the road eating oranges all day until it came. We would flag it down. The van drove three hours. We would get out in the nearest town with power. We would make a phone call at a pay phone. "Yemi," one of us would say, "we're alive." "How are your projects?" "They're fine." "Need anything?" "Nope." "Enjoy your life!" Then we'd hang up, get a cold soda, and get immediately back on the parked van and wait (sometimes hours) for it to drive back in the direction of our compound. Once a week, that was our entire day.

No lights did not feel difficult. It felt slow, and sometimes hot, but more than anything it felt simply like living in a long summer. During the day we would wander around talking to people in the town, or rode bikes up and down the road, or sat in school listening to the kids learn about the planets. (Because of No Lights, the setup was basic: kids, teacher, desks, chalkboard, books.)

At night, though, the darkness would come in stern and strict. There was one good lantern on the compound and we would leave it with the kids, who stayed up late huddled around it reading aloud to each other. We had flashlights if, heaven forbid, we had to get up and use the Spider Bathroom (an outhouse a few hundred feet away that had all four walls absolutely covered in spiders, I swear right here on my life), but since the only thing worse than using Spider Bathroom was using Spider Bathroom with endless pitch black darkness around you, I tried to avoid it.

Every night I zipped myself into my mosquito net and lay on the ground, staring into the dark. It was maybe eight o'clock, but really I had no idea. Jess and I would sometimes talk but we had settled into a long stretch of quiet that lasted most of the month. I could hear the kids outside reading to each other from a book I brought them about American Indians. Once in a while there was some kind of animal sound and I felt afraid. Before I went to sleep, I would try to find all the little biting ants that had made it into my mosquito net and smash them one by one in the dark. But mostly, Jess and I would lie there and think or talk about ourselves, what we've left and where we'd come from and who we loved and how this experience would change our lives. We wanted our lives changed. That's why we were there. It was the smallest and largest thing I have ever sought out.

We took the van out to the pay phone four times, and the third time, there were no lights in the town. We had a warm bottle of coke together instead. The next week, there were still no lights-- the greater area had been without power for over a week and we hadn't even known. A few days later, our project ended and we took a bus back to Accra. On our way home the bus caught on fire-- a story for another day. I survived. We made it back to Accra. We wrote our final term papers in an internet cafe whose power kept going off, so we kept having to start over. No lights, no lights, no lights, no lights.

All of that seems a very long time ago. When I returned from Ghana I bought my first cell phone and moved into my first apartment. Greg saved my handwritten letters on their airmail paper and they are somewhere in this apartment, unlikely to be blown around by this hurricane. Even if the power goes out I will feel safe. Jessica got married on Martha's Vineyard last night, no doubt scoffing at the weather.

My mosquito net is much bigger now. It is this whole apartment, this whole building, this whole city, this whole country. It is all designed to keep me safe and comfortable. I feel-- sitting here with my coffee, my books, my pets, my refrigerator full of beer and ice cream, my computer, my two couches, my six lamps-- incredibly, shamefully rich. I feel very far from and very close to the girl who lay in the dark. The girl who loved no lights. I wish I could tell myself that everything was ending there: that when I came back I would get a cell phone, and facebook would have just come out, and I would get an internship at a publishing company, and my life would be changed. Just as I wanted.

Disasters will happen. They will happen to me, and despite me. Sitting in my apartment with no lights will not count. Things will get worse. But I hope that, when the time comes, I can find a horse's mane and hang on.

Where I've Been

This month contains multitudes. On the first day Greg and I dashed under an umbrella to have gin, tonic, and Thai food with a sculptor. On the second I giggled my way through a script full of typeo-s and confusions that I myself had inserted. On the third I sat with my feet up on a seat and watched eleven-year-olds get swallowed by murderous plants. On the fourth, a friend from college came by, and we had free cupcakes and watermelon beer before dashing off to do improv in the dark, and be pulled into drum circles, and say "spicy cukerita" over and over, and generally stay out too late.

On the fifth, my voice began to hit national radio. Strangers heard it first. Little bursts of excitement came in over email and twitter to say little burst-y things. But at the Mark Twain House, things were not easy. We looked each other in the eyes. We waited things out. We went down to New Britain and performed the writer's works as if he were the person we were trying to make laugh.

On the sixth I rose at six and put on running shoes. I sat on the couch and waited to hear myself. The person being interviewed before me was also from my hometown, and I thought of Summit and the girls I used to know there. I sat and listened until the girl I was a few months ago came on the air and said some things about lunch. When it was over I turned off the radio and ran over a bridge. I ran through the rest of the day: lunch and a tour of an old curtain factory, laundry and coffee and another show, this one raucous with the joy of doing it a second time, and then a late night drive to Cape Cod.

On Sunday morning, the seventh, my grandmother, my grandfather, my parents, my siblings, my aunt, and my cousins sat on the couch and waited for my voice. My grandmother had arranged the living room for the occasion. The station was fundraising, though, and they cut me to make room for Ira Glass. The certainty that they'd cut me settled into the room quiet and deep. We looked around at each other and decided to go swimming in the rain instead, despite the muskrats and swans in the pond water.

I read a book about rock stars, a book about pen names, a book about fundraising. I thought about what it meant to have a public identity, even a small, three-minute-radio, one-hundred-readers-blog. Because of Carmela Ciuraru's book, I thought about being a woman writer, or a shy writer, or an insanely prolific writer.

By then I was on vacation, saved from the temptation of googling myself and my newfound radio voice. Days eight, nine, ten, eleven: blueberry pie, baby turkeys, dirt-road jogs, rainy day antiques, kerosene lamps, sunflowers, fried clams at a defunct girls' summer camp, nights too cloudy for stars. My dad and his sister told stories. My mom took photos of every little thing. It was the usual.

We landed in Portland, out of the woods, on Thursday night. Greg wandered off a train looking sleepy, and then we went for a swim at sunset as a three-or-four-sail-sailboat went out. That night we laughed a lot. The next morning I swam again and was happy that it was becoming a little vacation habit. My friends showed up and my real world crept back in-- staying up late and making fun of each other. The margaritas were awful. The new morning swim was idillic. The bad sunburn was only awful for an hour or so, and then we got on a boat and looked at islands and I felt better. When we got our chance, that night, we used the whole stage.

It was only as we drove back that I realized the weather had been beautiful, and that all was well. I am sorry to have made my grandmother hope to hear my voice for two hours, but I am not sorry that my real life occurs mostly in theaters with a real, human audience whose eyes I can look into and whose laughs I can register. And when my life isn't there it's usually with someone else who is making me laugh. And when it isn't there, it's usually buried completely, entirely, hopelessly, madly in a book.

Sometimes I think I am still the exact same person I was when I was twelve.

 

 

Anticipation

A book I love: The Art of Travel by Alain de Botton. It's been a while since I've read it, because it's been a while since I've traveled (terrible excuse, as traveling is a mindset more than an action), but I just planned a short trip to Florida for a wedding and am reminded of this passage from the first chapter, "Anticipation":

"It is unfortunately hard to recall our quasi-permanent concern with the future, for on our return from a place, perhaps the first thing to disappear from memory is just how much of the past we spent dwelling on what was to come-- how much of it, that is, we spent somewhere other than where we were. There is a purity both in the remembered and the anticipated visions of a place: in each instance it is the place itself that is allowed to stand out."

Right now, my long weekend in Florida in November is a perfect, glittering reprieve from my busy fall. I will crack the spine of a fresh book. I will swim. I will sleep late. I will spend time with old friends. Never mind that I will probably overpack and overspend, that I will feel guilty about not keeping in better touch, that I will consider what I am missing at home, that it might rain. Those are worries for when I get there.

For now, Florida is a perfect Florida. I have five months to polish that pearl of anticipation.

In the meantime, I recommend you read that book.

Another summer

   

 

Today I am remembering a summer when my friend Abby and I went hiking and scuba diving in Thailand (on vacation from teaching in China). Thinking only in pictures today.

 

 

As I was uploading these I suddenly remembered that this was January.

Let's review some Julia

Dear readers, I've noticed that you have been heavily multiplying of late. Welcome.

Let me point you to some old posts you might like:

Here's one on what books mean to me.

If you missed it last month, here is what I think about being born in the summer.

I want you to love Moby Dick as much as I do.

Sometimes I put up pictures to accompany my Advocate Blog.

What do you think of that, corporate-brochure-Greg?

I encourage you not to think of this blog as a linear project. Poke around. Have fun. Comment. About half the posts are little essays, about half are nuts-and-bolts news (like this).

Stay tuned for more news and ideas as the summer rolls on.

The bus I didn't make

When I'm running late for work, I take the bus. Inevitably, as I am walking towards the stop, my bus zooms by at an un-catchable rate. Some days I'll run to try and catch it (this always elicits comments like "good hustle" or "whoa!"), some days it's just impossible, and I watch, morose, as the bus merrily picks up the people who had the good sense to leave their houses five minutes earlier than I did. Some days I get to the stop without a bus going by, but even then I can see the buses that I missed a few minutes earlier, because the road is long and flat and decorated with my big blue failures. The thing is, it doesn't matter how early or late I leave my house. All that matters is that there is always a better bus I could have taken. Laying eyes on the bus I didn't make is one of the worst parts of my day. I think about how un-punctual I am and all the better things I could have done with my morning. I think about my day ahead and how much better it would be if only I was on that freaking bus. I would be more put together! I would get more done! I would be happier! If I'm feeling particularly anxious I'll run over some memories of missing public transportation, of running for trains, or of being late. Lately I've been remembering being late for a horseback riding lesson when I was about ten years old, and how guilty I felt. That's the self-torture of the month.

Then, of course, five to ten minutes pass and another bus comes, and I get on it, and everything is fine.

The other night I was sitting around enjoying the internet and I came across the name of a writer who is a lot like me, in my dream-writing-world. Same genre. Similar style. Similar upbringing and similar age. Almost identical subject matter. She appears to be awesome in every way: smart, funny, well-liked. There's a whole article in a respectable magazine about how nice she is. Every time I read about her, I am overcome with professional jealousy. I don't feel angry with her or dislike her; I just feel horrible. This writer is on some bus I did not make. She is a couple of blocks ahead and I am staring wistfully at her taillights. Just as I do not rue the bus that went by half an hour ago, I don't feel this way towards any other writer-- it is the closeness of this girl to me that triggers this reaction.

I have recently solved the bus problem: I walk along a different route. On the new route, I can't see the buses going by. The block without buses is pleasant and quiet. I turn the corner just before the bus stop, and I am there, and a bus is either there or it isn't. I try not to look up the street to see the buses that just left. I read or listen to music or stare into space until the bus comes, and then I am on it, and everything is fine.

I will be looking for new routes, now, everywhere. I don't know if I am early or late or on time for my regularly scheduled life. I'm just going to wait for good buses to come, when I am ready, and then get on them.

Shooting a Pilot

The latest of my escapades: shooting a pilot with Rabbit Ears Media. It's called Royal Comics, and is written, produced, and directed by Helder Mira. Helder is a local figure of great repute. He's one of the many, many Hartfordites who's always working on some new project. (Brian Cook is also one of those people.) This is the category of people that keeps Hartford going: they're talented, but they also work ten times harder then those who simply rest on their talent.

Helder: Julia, will you shoot this pilot with me?

Me: I'm in. .... what's it about?

The pilot (which will hopefully evolve into webisodes, pending funding) is about comic book writers and illustrators. I'm a maybe-important-later character, so my scene this time was short and simple. It has been a long time since I've done anything scripted and it felt strange. The experience was a quick sprint through new skills.

I memorized some lines. I stood in front of cameras and did multiple takes. I learned a little something about being a comic book illustrator. I attempted to look cool. Most importantly, I was humbled by the act of trying something new and difficult.

I've seen many still shots and a few rough scenes of Royal Comics. The other actors are hilarious, and the shots are beautiful. All in all I am very glad I did it. See a rough cut of the teaser below.

[vimeo http://vimeo.com/26130722]

Summer gluttony

I am a glutton for summer.

Right now it's 6:52 AM on Sunday, July 3rd. There is no reason in the world that I should be awake right now, since I had yesterday off and I'll have tomorrow off, too. I am smack in the middle of a long vacation and here I am, watching Buffalo (our cat) watch the sunrise, making my way through a mug of coffee, reading and writing my way through the morning. There are few things I love more than the pleasure of saying, "man, I did so much on my days off."

Really, I am awake because yesterday I got too much sun and exercise and went to bed at nine thirty. Now I have a little sunburn and a little headache, and at 5:30 I decided just to get up and pack in another few excellent hours of July.

Yesterday Greg and took the Vespa down to Collinsville, Connecticut, a little town on the Farmington River. How many years we've been driving around on that thing I don't know, but I can't get enough-- the windiness of the ride, the restfulness of holding on to Greg's back, the houses that come one after the other for miles and miles. Taking back roads on a Vespa acclimates you to the interconnectedness of towns; some are little and go by in a green flash, others are bordered by strip malls. Highways are basically teleportation devices where you're just deposited in your town of choice, but on a Vespa you really have to get there. Connecticut is dense and varied, and there are a lot of different ways to arrive in any place.

We went out on the river with our friends Dan and Marta and their puppy Wallace. Their little family was in a canoe, Greg and I were each in a kayak-- all the better to race with. The river was looking wide and cold and deep and I could not have been happier. We paddled around, working on our rowing form (both Greg and I adore boats; he rowed crew for years, while I spent many summers in my grandfather's canoe looking for turtles), cooing at poor Wallace. We drifted between ducks and geese, and avoided fishermen. We went swimming in the cold July river-water. We paddled up to a bridge and turned around under it, just for the principle of making it that far. Greg lost a flip-flop, helpfully designating this particular river trip as "the time Greg lost a flip-flop."

Lately I have noticed that I cannot get enough of this kind of thing. I am a glutton for summer. I will eat a hot dog for the sake of summer in the way that people who love Christmas will fanatically bake sugar cookies. If I don't go swimming in a lake, a river, a pool, and the ocean-- each at least twice, and five times for the ocean-- I consider the summer an abject failure. I also need to read an equally gluttonous number of six-dollar novels, respectable classics, and nonfiction on horrifying topics. Some summer reads of yore: Anna Karenina, Helter Skelter, Columbine (those last two back-to-back... not recommended),  The Dud Avocado, I Capture the Castle, and a truly astounding number of Agatha Christie mysteries. Should I be ashamed? I am not. We have a cultural agreement that anything is allowed to be read on the beach, even if we scoff at those books later. Every summer I remember the pleasure of unsweetened iced tea and of thunderstorms. Every summer I remember the pleasure of getting tired from too much sun. Every summer I remember that everyone looks both stupid and awesome in cutoffs.

After losing to Greg in one final kayak race, after a new pair of flip flops, after sandwiches and lemonades, after wearing the puppy out, after a visit to a bookstore (and three new books), after backyard beers, after a long Vespa ride home, after a dinner of frozen pizza, after watching Cars-- I realized I was a little sunburned. I wandered up to bed with a magazine and a glass of water and I read until I fell asleep. At nine thirty. I said goodnight, summer, I'll see you early tomorrow. And here I am. Hello, summer. I hope you last a long time.

By Now

Today is my 28th birthday. It's June 28th, so it's my golden/champagne/round birthday; I also happen to know that I was born on a Tuesday, so it's rounder still. My birthday falls almost exactly six months from New Year's; and so I am in the habit of reflecting and evaluating myself every six months. All birthdays have a rhythm, I think, a meaning instilled upon them by time of year. We all know what it means to be born on or around Christmas. Greg has one of those birthdays in the mid-April zone, which I'm pretty sure is the month in which 90% of Gen X was born, according to my social calendar.

But summer has its own laws, too-- of warmth and relief, of school letting out and vacation coming up, of bare feet and swimming, of hope for good weather, of learning to share your day of cupcakes with all the other kids who have summer birthdays, of the fact that most of my yearbooks are signed "I can't wait for next year! PS Happy Birthday!". A friend recently said to me, when I apologized for having to miss her picnic, "I've had a summer birthday all my life," and it rung true for me then, too-- of the weird smorgasboard of friends you get when half of them are already away for the fourth of July. But there is delight in that, too; I have always been inclined to invite large swaths of people to hang out since I know there's only a 50/50 chance of getting anyone, and sometimes acquaintances have become close friends at those parties.

Being born in the summer means that my mother probably had the windows open in Hoboken, and that my grandparents visited right away. Maybe lots of people visited as part of their vacations. Or maybe it was a slow summer in Hoboken, too warm to move, a great excuse for my Mom and Dad to hang out with their first baby in their fixer-upper Hoboken house.

I don't remember that. But I do remember turning three or four, and receiving a tiny gold brontosaurus pendant with an emerald eye from my father. There is video of me sitting in my turtle-shaped sandbox in my wild backyard, my penchant for ancient, gentle animals both at my feet and around my neck. I am almost certain my friend James was there, playing on my new swing set, neither of us knowing that when we were seventeen I would watch him out of that window while he mowed our lawn, or that when we were twenty I would still be alive and he would not, and that I would regret not going out to say hello that warm summer.

And I remember being five or six and holding a stuffed cat, a gift from my best friend, and loving that cat with dedication (despite its sour expression) because Johanna had given it to me, and I loved her with a fierceness that I don't think has been echoed in any part of my life since.

And I remember being eight and the backyard party just dying down, only one friend left, the sweet and very Mormon Kirsa Stay. We were likely the two quietest girls Washington School had ever seen, and probably because of that, three triplet fawns walked out of the woods towards us and into our yard towards our crabapple tree. They were so magical and momentous to my silent newly-eight-year-old self that I feel compelled even at this moment to convince you that this really happened. I see now that those fawns were a reward for my silence and my solitude, two qualities that would not last many years longer.

There are many birthdays I remember: I remember inviting a group of girls to my twelfth birthday and their choosing of that moment to tell me they hadn't liked me all along. I remember five straight years of holding yearbook-signing parties in my backyard, just to force something holy and commemorative onto the kind of party I was outgrowing. I remember ice cream late at night with Katie, one of the hundred million nights we spent trying to remain children. I remember my birthday falling in the first week of a New York City publishing internship, and not telling anyone at my new office, and feeling very grown-up to keep something like a birthday to myself. I remember turning twenty-one and talking quietly on the phone to Greg, my new boyfriend. At twenty-two I believe I was out in Saratoga Springs, warm and delighted at Desperate Annie's.

At twenty-three I woke up on a boat somewhere between Korea and China, having just left the home of my friend Abby's biological mother, whose name she had not known a week earlier. Abby and Jessica and I disembarked in a shitty coastal town in China and celebrated my birthday at the first restaurant we could find, which was a Pizza Hut. We sat and spoke of family and of travel and of wanting to go home.

At twenty-four I looked over Central Park from above and walked through the Natural History Museum with five of my favorite girlfriends-- librarians and teachers all, women who love learning and appreciate things like brontosauruses with emerald eyes. Women who I still speak to every day.

At twenty-five I stayed in the Bronx, and Annie delivered a pie, and we probably danced in the garden. I can't remember exactly because that entire summer felt like one long uninterrupted birthday, one long hello to a happy self, one long goodbye to a worryless childhood.

At twenty-six my new Hartford friends and their corgis and their business degrees met me in a park of just-now-dying roses. Kira, my college roommate, came to visit, too, and I rode home on the back of the Vespa, my arms around Greg. Last year I had new food with my coworkers and told them stories of my past reckless self, before they knew me in the cubicle, when I used to do things like rode ponies in Mongolia.

All of these things are what it means to have a birthday at the beginning of summer.

But, as I mentioned before, there's another element: I was born on a Tuesday. When I was living in Ghana, I learned that everyone knows the day of the week of their birth, and is named for it. I am Tuesday. I am Abena. I am Tuesday's child, full of grace, apparently. More like: full of good intentions.

Even before I knew the association with my birthday, I have always loved Tuesdays: they are peaceful and productive. The weekend is not far off, if you look at it right. They do not have the disappointment of a Sunday night or the panic of a Friday morning. There are so many things you believe you can accomplish when it's Tuesday. I am a Tuesday girl.

The Tuesday girl in me sees every birthday as a time to plan, to set goals. It is also a time, if I'm being honest, to punish myself for everything I wanted to have done by now. You know what I mean. To be thinner, or have saved more money, or to have done better things for this world. Those are mine. Others have others: to be married, to be someone's boss, to have traveled. Birthdays are when we keenly feel our goals, and the disappointment in ourselves for not having met them. We say: by now, by now.

But looking back on my birthdays there is only one thing that has ever mattered on those days: friendship. And with friendship comes unimaginable surprise.

Without a quiet friend, by now I would not have seen the fawns. Without a brave friend, by now I would not have taken a boat to Korea. Without a lonely friend, by now I would not have pie on my doorstep. Without friends I would never have danced in a backyard by now, acted in a play by now, began an improv business by now, published a word of writing by now.

And friendship is contained within other things. Greg's friendship takes me out on a Vespa. My best friends now are my business partners and coworkers; many of my teachers have spoken to me with love and respect. Very real friendships with very fictional characters shaped my mind. My father's friendship with his daughter picked out a dinosaur necklace.

Right now on my facebook wall there are salutations from a teacher, an old student, elementary school friends, college friends, Ghana friends, China friends, writer friends, ex-coworkers, Hartford friends, New York friends, my mother, my previously long-long cousins, my boss, friends who once did not like me and now do. Friends who taught me how to grow up and how to grow older.

Without you all, I do not know who I would be by now. I would not be this person.  I would not know how to live nor how to love. I am not perfect and I will never be. But I am so glad, and so grateful, that by now, I know how many different kinds of people in this world can be wonderful.

To celebrate my sister Emily's birthday two weeks ago, she and my brother taught Greg and I how to rock climb. She climbed the walls with the grace of a once-reckless and now-brave and intelligent girl. And then, when I climbed, overjoyed and awkward and afraid, the rope and clips attaching us like an umbilical cord,  I looked down and she was grinning. I reached the top. She said, coming down is the best part. I pushed off. She held me by the small and simple rope, and found myself flying down from that new wall, held up by her.

Thank you all, always, for your friendship and the many new climbing walls. You have made every birthday good.

Love,

Julia

Empty, Full

The other day I had my final class show for the Upright Citizens Brigade, Level 401. I've performed for my UCB classes several times now-- for 201, 301, the Lottery, a 401 mid-class show, and this final one. I came nervous, I left happy, just as before. On our bus ride in (incidentally, if I never take the Megabus again, I will be a happy lady), I was flipping around between the three books I'm reading on the Holocaust, urban planning, and Indian independence. I was also listening to Justin Timberlake, Adele, and podcasts about science. I was worrying about my column about walking, my new essay about diaries, and an old essay about China. I was also considering my upcoming birthday and reflecting on rock climbing with my siblings last week. My brother was texting me. Once in a while I played Angry Birds. And Greg, next to me, kept mentioning the breakfast we'd just had and a silly show we'd seen the night before.

The whole time I was thinking use this. Use this. Use every part of this buffalo that is your life.

Sitting on that bus, I was reminding myself that all the best improvisation comes from a strong sense of self and a wide set of passions. I've seen this in my Sea Tea teammates before: get Joe talking about science, or Steph about Ren Fairs (faires?), or Dan about pretty much any trivia, and their improv is doubly good. I am a person with a ton of interests and many unique experiences, and I am happiest on stage when I am bringing those things with me.

To do a good scene you must come out both totally empty and totally full. You must bring the sum total of your observations and ideas out there with you, and you must immediately abandon them. You are a blank page of a book with many previously full pages, which you may refer to or ignore.

I am Julia, and everything that I have done or thought, but I am also none of those things. Each moment is a new moment. Each scene, a new scene in a long story.

-- Julia

P.S. My show went well.

Notebook, Diary, Journal

I’m currently working on a critical essay on the development of a writerly voice through keeping a journal. (The seed of this essay was a previous post on this blog—thank you, daily writing habits.)  I’ve been doing lots of reading on the topic, and I have a few recommendation if the subject interests you. I have read Joan Didion’s “On Keeping a Notebook” from Slouching Towards Bethlehem more times than I can remember. It has a bookmark in it from a job I had in 2007, and has clearly been read many times over. Didion’s notebooks are lists of details and overheard quotations that bring her back to the feel of a certain time of her life.

“So the point of my keeping a notebook has never been, nor is it now, to have an accurate factual record of what I have been doing or thinking. That would be a different impulse entirely, an instinct for reality which I sometimes envy but do not possess.”

I also just started reading Francine Prose’s Anne Frank: The Book, the Life, the Afterlife. In the opening pages, Prose tackles the labyrinthine debate on whether Frank’s book is “true” art of a “real” writer, or if we love it only because of its historic content. Prose examines Anne’s desire to be published and her own aggressive editing of her diary.

“On April 14, she had serious misgivings about her abilities. Even so, she was imagining the Dutch ministers as her potential audience, and her critics.”

I’m also revisiting my favorite journal of all time—The Journal of Jules Renard, an aphoristic record of individual moments in one French writer’s life. In the introduction, Louise Bogan says “Truth about life, in Renard’s view, has been distorted by literature.” The voice of these diary entries is so beautiful and literary that the context of the observations doesn’t matter—Renard sees the world in tiny, literary moments. I love this book so much that I keep giving it away and buying new copies, because I want other people to have it, but I also can’t stand to live without it.

“Be modest! It is the kind of pride least likely to offend.”

“Failure is not our only punishment for laziness: there is also the success of others.”

“Put a little moon into what you write.”

Do you all have any favorite journals, diaries, or notebooks I should know about? Any critical works on diaries that I should know about? I am a sponge for these right now.

-- Julia

Art

Sometimes I try to speak less, write less, and just watch. At the Mark Twain House's Norman Rockwell Exhibit.

Granted

More good news: I found out recently that I am a recipient of the Hartford Arts & Heritage Jobs Grant Phase II. I will be using the funds to set up a home office and fill it with supplies, get books and literary magazines for research, pay a professional reader, and a few more things like that. Basically I am covering the small (but cumulatively substantial) costs of being an "emerging writer," as they call me. I am in the company of many wonderful artists, including a puppeteer, a violin maker, and a woodworker. I am very, very honored and excited.

Works in Progress

The other night in New York, between a work conference and an improv show, I went to see Wener Herzog's new movie about cave paintings in France. As a work of art, the movie is good, but entirely eclipsed by the art within the caves. I highly recommend seeing this movie in theaters in 3-d because you can see the way the paintings are arranged to imply movement over the curves of the cave walls.

I've been thinking about works-in-progress lately. Writing for the internet (this blog and for the Hartford Advocate, as well as all the places I've been guest blogging) is entirely different than the longer essays I used to polish for months and sometimes years. This new writing has instant permanence. Instead of each chunk being a perfect, finished thing, the entire webpage itself is a work-in-progress. Not only that, but my writerly voice and my writing career are works-in-progress too. That's a lot of progress, and a hell of a lot of work.

Sometimes I wish I could just create one perfect thing and have some metaphorical rocks fall over the mouth of the cave, and let the art steep and crystallize and be stumbled upon by French hikers someday. Alas, I think I will always be more of a Gaudi.

What are your works-in-progress? Will you ever feel finished?

Training

Not too long after dawn on this Tuesday morning, I stood on a platform waiting for my train. It came around the corner like a big, serious animal, turning around the building with a grace surprising for something so massive and mechanical. Maybe I have been reading too much about whales lately, but it seemed to move like one of the mid-sized leviathans, its course inevitable, its thrust through space silent except for a hum on the tracks. I am headed into New York today for a “social media summit.” Were I not on this journey, I would spend much of my day on social media, writing a few blog posts, posting things on the Twain House twitter feed, taking breaks by watching things on youtube, and filtering many of my conversations through the convenience of facebook. It is a bright and chipper way to work and, frankly, I like it. Social media comes along with all kinds of strange new social cues and habits, and not all of them good. But the bottom line is that social media makes my job (both as a marketer for the Twain House and as a writer) easier, more effective, and more fun, so I am going down to New York to learn how to do it better. I’m signed up for all of the “201” classes. It will be a day of branding and strategizing.

And yet, I know already that this train, carrying me over Stamford now, this old and quiet technology, will be the best part of my day. It is morning and the sun is coming in only on my seat. The passengers seem to have agreed on a certain low speaking pitch. This all seems easy and simple and old-fashioned. Even when we pass a train that is out of commission, slayed with beautiful graffiti, the scene seems ancient. I have traveled often by train and they always make me feel this way.

But this, too, was once a new technology; this kind of journey, too, once changed everything. The train was a harbinger of a new life on standard time, on schedules. It came for us, turning quiet and inevitable through the cities we had made, pulling up to our eager, upturned faces, inviting us to ride, inviting us to be carried into a new era.

Fragments

I have a box (a whole box!) of journals and notebooks that I have only half-finished, and as I was investigating them today I found a small notebook that I am sure I have not opened since its last entry six years ago. It is a notebook of phrases, lists, budgets, quotes, and fragments from my year in China. It looks as though I realized that I was having so many new experiences that I would be completely unable to analyze them, so I just wrote down anything notable in hopes of jogging my writing and my memory later. I'm not sure. There is no explanation. In fact, there's no explanation of anything. I didn't even write in the pages in order. It is the best journal I have ever kept, I think. Below is a selection of the hundreds of undated, unexplained, unquantified writings in this notebook. Every single one jogs a memory I've missed, but the memories don't actually matter. These details were the things that mattered.

I wish I had kept a journal like this every day of my life. I plan to re-start tonight.

Tom: "Chinese are always having meetings like this. No meaning."

Badger = happiness.

Thought they were reclusive, but turned out to be German.

Night party in the dam lock. Sunflower seeds, rice cakes, jerky, coffee. Bets on whether we'd go up or down in the dam, we went down (very rapidly).

Back on big boat: my toothbrush fell into our gamgee squatter toilet.

Night bus-- pink blankets. I can see the stars.

Abby getting massage. Me singing to her.

Failed moped adventure.

Almost cried at Brokeback Mountain commercial. Very tired.

Met Dam. Elephant trek. Monkey diving. Danish family.

Could you tell me some stories about cowboy?

Plane snacks-- dried peas and Nescafe.

Salad = mayo on fruit.

Confidence! Confidence! I feel! Every time! I am confidence! Victory! Victory! For everybody. (Jian and his daughter.)

The Advocate and Me

Big news, kiddos. As of yesterday (I know, that's a century in internet time) I am the Hartford Advocate's latest blogger. Here's my first post. I promise not to cross-advertise too much between this personal project and that professional one, but still, it's an exciting notch in my writing life. The idea is mine, and the good people at the Advocate were supportive from the get-go. I believe very much in the project and I'm really excited.

Thanks for your support, and please follow that blog if you're interested in cities, walking, Hartford, or looking at things up close.

Clever Girl

Yes, Jurassic Park fans, you’re right. This title is a reference to the scene where the Australian guy is looking at a raptor, hears rustling in the bushes, says “clever girl” and then gets eaten by two velociraptors that were hiding on either side of him that whole time. And guess what? I’m going to make a metaphor out of it. Stay with me.

Lately, I’ve been interviewing my fellow improvisers for a series of podcasts about Sea Tea Improv. I’m having a great time doing it (largely because the format of the podcast is peppering my friends with questions, which, if you've ever been a friend of mine, you’ll know is my favorite activity), but over and over again I’ve noticed a certain phrase cropping up. It’s also a phrase so cliché among famous funny people that you’d be surprised if they didn’t say it:

“I’ve always enjoyed making people laugh.”

As a professional funny person, this statement is terrifying, becasue for me, it’s just plain not true. No one who knew me in childhood would describe me as funny. Studious, maybe. Cripplingly shy, for certain. As a current extrovert—I spend so much of my time dribbling my thoughts and opinions onto the internet and into other people’s ears—I look back on myself and wonder, how did that person become this person?

I am expected, formally and informally, to be clever for much of my day. I write snappy freelance copy; I am a professional comedic improviser; I engage in witty banter with both my boss and my boyfriend. And yet I am pretty certain I'm not funny, and the thought of being a “funny person” makes me want to hide.

And yet I continue to live a life engaging with wit. How is all this funny time achieved? Mulling it over, I have two conclusions. One: during both the introverted and extroverted periods of my life, I’ve been an observer. I’m watching. I’m thinking. I’m evaluating. For me, curiosity, especially about other people, is a kind of thirst that will absolutely never be satiated. This thirst can be unhealthy, but in comedic situations, it’s a terrific impulse. How much comedy do we laugh at because the observation is simply marvelous, too true? And how many times have I lost control of where I am in an improv scene and made an observation to get back on track? (Hundreds.)

Second is storytelling. In the “Meet Laura” podcast, we discuss how we make sense of many uncomfortable situations by beginning the storytelling process right there in the moment. We look for relevant details; we plan how we’ll describe it later. Seeing individual moments and incidents as stories is my strategy for living—it has gotten me through horrible situations and wonderful ones. I could tell you stories, oh, could I ever tell you stories, of terrible things-- but you would laugh, because I had vowed to make them into funny stories before they were even finished happening.

Back to the dinosaurs: the Austrailan is the audience. There he is, looking at the first raptor, the one right in front of him. That raptor is the funny. “Clever girl,” he says, but the two that really tear him up are observation and narrative, right beside him all along.